The steely gazes of the Entropy series are viewed from another angle in Mass-energy Universe. Pictured from a bird’s-eye view, a robot’s portrait is rendered unfamiliar. Facial curves instead form a warped terrain of hills and valleys, their metallic edges seeming to curve and fold with a vibrating energy. The unexpected change in visual perspective introduces with it a shift in thinking about the materiality of technology, shaped as much by immaterial forces as by physical matter.